| Condenser | כמות | Dynamics | כמות | Ribbon | כמות |
| 1 | Senheiser MD421 | 2 | 1 | ||
| 1 | Senheiser MD504 | 2 | |||
| 1 | Senheiser MD515 | 1 | |||
| 1 | 1 | ||||
| 2 | 1 | ||||
| 1 | Shure SM57 | 4 | |||
| 1 | Shure SM58 | 2 | |||
| 1 | 1 | ||||
| Condenser Instrument | |||||
| Beyer Dynamics Opus 53 | 2 | ||||
| AKG C1000 | 1 | ||||
| Shure PG81 | 2 | ||||
| 2 | |||||
| 1 | |||||
| 2 | |||||
Controller: DigiDesign's Control 24
Recording System: ProTools 18 In On-Line - Lets us record up to 18 analog channels simultaneously,
Also we installed "Music Production Toolkit" that let us use up to 48 channels simultaneously On-Line, The system is very flexible and enable us the ability to plug a lot of microphones used for recording of multi musicians session
For our Plug-In list press the button
Main recording computer: A system that was built and characterized by us, that can "carry" everything without latency.
Asus P5W64 WS Pro, Intel quad core with 4gb of RAM, Sata2 10000 RPM hard-drives, the computer is cooled by a water cooling system for better cooling and the no-noise factor.
In addition we have a Mac computer for backup purpose.
Human engineering
two IBM flat 21' screens
Computer and communication wiring
Our entire studio is double-covered wires.
You can put a mobile phone on any device
in our studio and you won't hear any noise
or sound leak
Sound wiring
Our studio uses Balance system, made by Klotz.
We use Neutric made connectors.
And all our patch is TT type
Monitors
For close field of hearing we use amplified
Genelec speakersFor far field of hearing we
use two Auraton & JBL
Headphones
.Bayer Dynamics ,A.K.G ,Sennheiser, Phillips, Audio Technica
In the recording room we can plug
up to 20 pairs of headphones without and problem
Amplifiers
Headphone amplifier RA 100
Amplifier JBL 400 PA
Guitar amplifier Fender 125
Compressors
.Drawmer 1960, Drawmer M200, DBX 263A,
TLA fatman, Jomeek 1Q, Focusrite Twintrak pro,
DigiTech VCS-1.
Analog effects (Vintage)
Lexicon PCM70, Lexicon LXP15, Lexicon LXP1,
Yamaha SPX90, Quad Rev.
Mic Pre-Amp
Drawmer 1960, AMPEX Tube 1968 4, TLA 1, Focusrite 16 mic-in Control 24, Focusrite Twintrack pro, Also we have Pre-Amp that was built from 2 channels of an analog Trident 65 console.
More sound processing devices
BBE Sonic Maximizer - EQ, Compressor made for bass and base drum
EQ Parametric - 2 channels of an analog Trident 65 console
Graphic EQ - ever old graphical EQ made by Ebanez
Mic PreAmp +Compressor +EQ Digitech VCS-1
Microphones
Vast collection of microphones for any purpose desired by sound or color, with a huge flexibility.
Recording System: ProTools 18 In On-Line - Lets us record up to 18 analog channels simultaneously,
Also we installed "Music Production Toolkit" that let us use up to 48 channels simultaneously On-Line, The system is very flexible and enable us the ability to plug a lot of microphones used for recording of multi musicians session
For our Plug-In list press the button
Main recording computer: A system that was built and characterized by us, that can "carry" everything without latency.
Asus P5W64 WS Pro, Intel quad core with 4gb of RAM, Sata2 10000 RPM hard-drives, the computer is cooled by a water cooling system for better cooling and the no-noise factor.
In addition we have a Mac computer for backup purpose.
Human engineering
two IBM flat 21' screens
Computer and communication wiring
Our entire studio is double-covered wires.
You can put a mobile phone on any device
in our studio and you won't hear any noise
or sound leak
Sound wiring
Our studio uses Balance system, made by Klotz.
We use Neutric made connectors.
And all our patch is TT type
Monitors
For close field of hearing we use amplified
Genelec speakersFor far field of hearing we
use two Auraton & JBL
Headphones
.Bayer Dynamics ,A.K.G ,Sennheiser, Phillips, Audio Technica
In the recording room we can plug
up to 20 pairs of headphones without and problem
Amplifiers
Headphone amplifier RA 100
Amplifier JBL 400 PA
Guitar amplifier Fender 125
Compressors
.Drawmer 1960, Drawmer M200, DBX 263A,
TLA fatman, Jomeek 1Q, Focusrite Twintrak pro,
DigiTech VCS-1.
Analog effects (Vintage)
Lexicon PCM70, Lexicon LXP15, Lexicon LXP1,
Yamaha SPX90, Quad Rev.
Mic Pre-Amp
Drawmer 1960, AMPEX Tube 1968 4, TLA 1, Focusrite 16 mic-in Control 24, Focusrite Twintrack pro, Also we have Pre-Amp that was built from 2 channels of an analog Trident 65 console.
More sound processing devices
BBE Sonic Maximizer - EQ, Compressor made for bass and base drum
EQ Parametric - 2 channels of an analog Trident 65 console
Graphic EQ - ever old graphical EQ made by Ebanez
Mic PreAmp +Compressor +EQ Digitech VCS-1
Microphones
Vast collection of microphones for any purpose desired by sound or color, with a huge flexibility.
